Everything so far\u00a0<\/em>consists of the plinth This was the right choice,\u00a0<\/em>and five postcards:\u00a0That’s different,<\/em>\u00a0It’s just a thought,<\/em> Always within grasp,<\/em> Put It Together Again,<\/em> and\u00a0There’s another way.\u00a0<\/em><\/p>\n

Through the use of repetition, this installation involves the simultaneous creation, distortion, and destruction of meaning.This was the right choice\u00a0<\/em>takes the plinth as both a material choice for presentation, and as a symbolic representation of art education. Taking\u00a0postcards as a medium for sharing experiences and knowledge, much as the conference format does, the postcard series utilizes short statements which are ambiguously personal, and yet distant. The statements refer to processes of learning and repetition which are central to the mastering of a craft, and the educational institution more broadly, while also hinting at an underlying personal anxiety beneath these processes. Free to take, the postcards allow the conference guests\u00a0to take a physical component of the conference home, mirroring their ability to learn and take knowledge and experiences home \u00a0with them.<\/p>\n

Everything so far<\/em>\u00a0was exhibited in the FCAT Undergraduate Conference 2016 ‘Craft,’<\/span>\u00a0<\/em>at the\u00a0Surrey City Hall in Surrey, BC.\u00a0<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Everything so far\u00a0consists of the plinth This was the right choice,\u00a0and five postcards:\u00a0That’s different,\u00a0It’s just a thought, Always within grasp, Put It Together Again, and\u00a0There’s another way.\u00a0 Through the use of repetition, this installation involves the simultaneous creation, distortion, and destruction of meaning.This was the right choice\u00a0takes the plinth as both a material choice for presentation, and as a symbolic<\/p>\n